Sally Cookson directs Stick Man and enchants kids with delightful music, creativity and playful characters.
The best-selling adaptation by Julia Donaldson and Axel Scheffler returns to the Leicester Square Theatre for the festive season.
When Stick Man accidently gets pushed into a misadventure and taken away from his family, he sets out on a long journey back to find his tree and family again. On the way he encounters people and animals that often confuse him with an ordinary stick and he gets lost even more. Will he ever find his way back home?
Children’s laughter echoes through the theatre ignited through the shows comedic value, that even leaves adults chuckling in their seats. The whimsical stage design thrills and engages everyone in the audience, keeping children captivated throughout the performance.
Sam Heron embodies Stick Man and gives the character a voice that young audiences can interact with, while Lara Cowin plays his wife and other endearing characters. Everything that happens to Stick Man, Cowin conveys with charm and comedy.
Alex Tosh (Musician) emphasises and compliments what’s happening in the play, with sounds and music. Many things are purely conveyed through music and choreography which sparks imagination and creativity in kids and adults alike.
The show is an hour long which is the perfect amount to keep the children entertained without them becoming bored of sitting still. Every time the young ones engage in the play, many of their faces light up with excitement. It also breaks up the show, so they [the kids] don’t get restless.
This Christmas production fires up children’s imagination with props and loavable characters. A perfect family show to see during the festive season.
Devastated fans explain what happened when their favourite show left the West End for good.
“I’m missing a huge part of my life. I used to have somewhere to go to, knowing it would make me happy and feel good, I don’t anymore,” said Jessica Gray, 26.
Whether you’re a musical or play lover, London’s West End offers a wide range of shows: from the emotional Les Misèrables, to a juke box musical like Jersey Boys and Agatha Christie’s Mousetrap, the longest running show in London, there’s something to satisfy everyone’s tastes.
Every show accumulates a fan base with the musical becoming part of their life, developing friendships with supporters as well as cast members, following the show to other events and creating social media fan accounts becomes a normality. So, what happens when a show closes?
Sunny Afternoon has grazed the West End for the two rock ‘n’ roll filled years. Not only has it accumulated a huge fan base, it has also won four Olivier Awards and has been praised by many stars, Mark Hamill being one of them.
In August 2016, the hit show on the rise and stardom of iconic English band The Kinks embarked on their first UK Tour, with the West End cast doing their last performance on October 29th 2016.
Below, three very dedicated followers shared their experiences.
Deborah,28, undoubtedly set the record for seeing the most shows within the Sunny Afternoon fan base, hitting the mark at 279 times.
How involved were you with Sunny Afternoon?
Deborah Gilpin: I ended up seeing 279 shows, although I’d have liked to reach the 300 mark.
Throughout her visits, Debbie quickly became friends with other regular audience members, together they started a Twitter fan account. “We just wanted to bring people together initially, then this year we’ve tried our best to promote the second cast as they seemed to be getting less attention, which led to the Cast Member & Understudy of the Month awards,” said Debbie.
How are you coping with the show leaving the West End?
I had no idea how to cope with it at the beginning, my plan was to make the most of it being there, enjoying every minute of it and waiting to see how everything went afterwards. Luckily I have my theatre reviewing keeping me busy. I’m waiting for more of the actors (from both casts) to get new jobs or announce gigs, I’m going to follow them on their new projects. Plus I’m excited to see what the tour is like, I’m planning to see it once it reaches a venue closer to me.
Ksenia,30, travelled to London from Russia a lot, seeing the show 122 times: “Being a Kinks fan, I’d been following the development of the show since its first workshop in December 2012.”
“I fell in love with Sunny Afternoon and there was no turning back. I’m also co-running the fan page with Debbie and Jess”.
How you’re feeling now and how you’re trying to cope with its ending, do you have a special plan for that?
Ksenia Nemchinova: I’ve never been this attached to a show before so it’s not easy to process and to cope. Sunny Afternoon may not be in London anymore, but I’ve seen the touring production several times and I have grown to love them dearly, so it’s definitely not the end for me, the tour will keep me going for another few months.
And after that, who knows? The show may be back in London again, maybe if we all wish really hard…
Jessica has been following the show since its very beginning: “I first saw Sunny Afternoon at the beginning of October 2014.
“I had been invited to review the show for my blog, and became a fan immediately.”
“I started a fan page first on Twitter and then on Facebook and eventually I made arrangements with the show’s marketing company for an official Sunny Afternoon Challenge Week to happen.”
“During it, we would attend every show over a week and blog about it daily, with a new challenge being assigned to us every day.”
What are your plans now?
Jessica Gray: I’m actually leaving London – not exactly because of the show closing, but I’d be lying if I said that it didn’t make my decision a lot easier. I’d like to see the tour again, however following it around the country isn’t an option for me. I’d mostly like to see what actors from the West End production do in the future in terms of new shows.
The world doesn’t end when a show ends. There are different ways to cope with it, whether that is concentrating on other shows, supporting the cast members in new projects or trying to stay away. Even when the show has ended, you’ll always have the memories. Not to forget the cast recording.
Dirty Great Love Story is a quirky feel-good romantic comedy, perfect for fighting off those winter blues.
After a highly acclaimed UK tour, the Fringe First Award winning Dirty Great Love Story makes its West End debut.
Katie and Richard are two romantics that meet at a rather unromantic setting. Both are on a night out in a sweaty club and their drunken friends are trying to hook them up. The next morning they wake up hungover, barely remembering that they had slept together.
As soon as Katie gets the chance, she jumps out of bed and disappears. Richard is not her type, plus, she still needs to get over her Ex. However, as much as Katie would like to never see Richard again, fate has a different plan for them. Due to their friends, they keep bumping into each other, but does this mean they are meant to be?
Writers Richard Marsh and Katie Bonna create a wonderful love story that has the theatre shaking with laughter. Through its pop culture references and and modern feel, it’s relateable to any millennial everywhere. Some of us might see themselves in various characters, and recognise situations that mirror their own lives.
Pia Furtado directs Ayesha Antoine and Felix Scott who commit to their characters wonderfully and have the ability to change personas instantaneously, while they rhyme their way into the audiences’ heart.
Dirty Great Love runs at the Arts Theatre until 18 March 2017
Terry Johnson wrote and directed anhomage to comedians Benny Hill, Tommy Cooper and co. while reflecting their not so funny private lives in a laugh-out-loud spectacle.
It’s 1992, everything’s a laugh. Richard is the President of the Dead Funny society and for him and his friends, Lisa (Emily Berrington), Nick (Ralf Little) and Brian (Steve Pemberton) nothing could be better than slipping famous routines of their favorite comedians into their lives and society meetings. All could be great if it wasn’t for Katherine Parkinson’s character, Eleanor (the star of the show) ruining their meeting with her cynical attitude and always infuriatingly funny, snappy and belittling comments towards her husband’s and friends’ obsessive love for dead comedians.
She’s unhappy and struggling with her own life, but she wants a baby. Desperately. All she can think about is getting pregnant and sleeping with her husband, who is pre-occupied with his own internal battles. It’s clear from the beginning that he feels rather uncomfortable in her presence and tries to avoid physical contact with her.
Their long-term friend Brian adds to the comedic value of the show. He seems to have the talent of always turning up at the wrong time or the perfect time, depending on who’s side your on. His somehow innocent characteristics makes him immediately likable.
It almost seems like you’re watching two plays at the same time. One about a struggling relationship and the other a satirical play on dead comedians, and their long-term admirers who have created the society.
Those collide when Benny Hill dies and the society holds a honorary meeting at Eleanor’s and Richard’s house.
However, if you’re unfamiliar with all these comedians, many jokes and anecdotes might easily be missed. What makes this play so funny is the mix of the cynical and admiration of old comedians and the clash of two different worlds.
The climax happens when secrets are uncovered and pies fly into faces. It’s a perfect way to celebrate iconic and traditional English comedy.