Tag Archives: theatrelover

Five shows to see at Ed Fringe 2018

The sun is out and the city is booming with people enjoying ice cold drinks. This can only mean one thing, Edinburgh Fringe is around the corner. If you find yourself in Scotland’s theatre city, these five shows could be perfect for you:

3 Years, 1 Week and A Lemon Drizzle

3 Years, 1 Week and A Lemon Drizzle - courtesy of The Other Richard (5)
3 Years, 1 Week and a Lemon Drizzle | The Other Richard

3 Years, 1 Week and a Lemon Drizzle examines the relationship between two sisters and how their close bond was affected when one of them was diagnosed with a severe eating disorder as a teenager. Recalling touching memories, laugh-out-loud anecdotes and Mars bars, this searingly frank and painfully funny two-hander examines what it’s like to live with a loved one and their mental illness. 3 Years, 1 Week and a Lemon Drizzle seeks to show the powerful bond that endures throughout mental illness and reinforces the enduring message – you are not alone. Underbelly McEwan Hall (Jersey) from 1st August at 14:25 (not 13th).

Feed

Feed - courtesy of Michael Wharley (2)
Feed | Michael Wharley

Welcome to the stimulating world of Feed where emotions are the currency and your passions and fantasies will be indulged… for a price. After the sell-out successes of The Marked and The Fantasist, Theatre Témoin return, bringing their vibrant visual style to the world of click-bait culture, fake news and cyber gluttony. Using the incisive and gleeful spirit of bouffon, Theatre Témoin explore the dark absurdity of today’s media landscape and what capitalism has turned it into. Aided by Mentoring Dramaturg Chris Thorpe, Feed looks at how algorithms and capitalism are shaping the information we receive and consume online and how this information is, in turn, shaping us. Pleasance Dome (King Dome) from 3rd August at 14:00 (not 15th).

 

Hunch

Hunch - courtesy of Libby Burke Wilde
Hunch | Libby Burke Wilde

Written and performed by Kate Kennedy (BBC One’s Midsummer Night’s Dream, Channel 4’s Catastrophe and The Win Bin), produced by Edinburgh Fringe favourites DugOut Theatre (Replay, Swansong, The Sunset Five and Inheritance Blues) and directed by Old Vic 12’s Sara Joyce (Dust, Edinburgh Fringe and Soho Theatre; Hedda Gabler, The Bunker and The Scar Test, Soho Theatre), Hunch is a dark new comedy about a superhero and her power to make gut decisions. After using this power to save the lives of others, she starts calling the shots to save her own life. This funny and heartfelt piece celebrates the individual and restores one’s faith in oneself while teaching us that, more often than not, our own gut feeling is right. Assembly Roxy (Downstairs) from 1st August at 17:05 (not 13th).

Tamar Broadbent: Best Life

Tamar Broadbent - courtesy of Christine Coquilleau
Tamara Broadbent: Best Life | Christine Coquilleau

Award-winning songwriter Tamar Broadbent is back and this time she’s asking – how do you know if you’re living your best life? If you’re not, how do you go about changing it? This exciting musical comedy about ambition, anxiety and avocados promises to be her best show yet. Developed by Tamar and Sara Joyce, Best Lifebrings together mesmerising musical theatre, beautifully written songs and highly relatable observational comedy for which Broadbent’s dedicated Edinburgh audiences love her. Tamar is best known for her funny, catchy songs about single life in your twenties which she has toured around the UK and internationally. Underbelly Cowgate (Belly Laugh) from 2nd August at 14:20 (not 13th).

The Journey

The Journey
The Journey

The exciting world premiere of The Journey, written and directed by critically acclaimed stand-up comedian Stuart Laws comes to Pleasance this summer. Co-directed by Phoebe Ladenburg and starring Will Brown and Phoebe Sparrow, The Journey is a romantic comedy about a breakup, set on a spaceship. A play about self-obsession and toxic relationships, The Journey is a funny, relatable and surprising comedy following two people on the unstoppable journey of their relationship. Pleasance Dome (Ten) from Wednesday 1st August at 17.40 (not 3rd).

Tickets for any Edinburgh Fringe show are available here.

The Secret Keeper | Review

★★☆☆☆  National Theatre Studio,  Ovalhouse

The Secret Keeper promises mystical mystery but only delivers cringy songs and confusing themes.

The Secret Keeper - production image 1 - Angela Clerkin (photo by Sheila Burnett)
Angela Clerkin| Sheila Burnett

In a fairytale village the daughter of the Dollhouse maker has a ‘gift’. She helps her father by keeping his deepest and darkest secret which changes him. He tells everyone to share their most intimate secrets with her to feel better. But what happens when one girl knows all the secrets in the village, including who killed her uncle?

Going into the theatre the atmosphere is eerie and promises a night of gothic and mysterious tales. However, that is only partly the case. The show switches between styles, which is confusing and lowers the quality of the production.

The Secret Keeper - production image 4 - L-R Niall Ashdown _ Angela Clerkin (photo by Sheila Burnett)
Niall Ashdown and Angela Clerkin | Sheila Burnett

It starts out feeling like a fairytale and the audience expects to watch a gothic style play, but then the style suddenly switches to a much more modern tone. This ruins the illusion and rips the viewer out of the story. The constant switches make it difficult to get lost in the play.

Things happen that don’t need to happen as they don’t help to tell the story and move it along, such as spontaneous singing.

The Secret Keeper - production image 6 - L-R Anne Odeke _ Niall Ashdown (photo by Sheila Burnett)
Anne Odeke and Niall Ashdown | Sheila Burnett

The spontaneous songs might be fun in a different, more modern setting, but with the fairtytale-like setting they seem silly and unnecessary.

Parts of the production were confusing, such as the gathering of the secrets. It wasn’t needed for the development of the story as the Good Daughter already showed that she was struggling to keep the secrets in.

Overall, the intentions of the production were good with a great storyline. The premise is intriguing but the execution of the production thoroughly disappoints.

The Secret Keeper runs at Ovalhouse until 21 October

Millennials and the theatre: They’re getting the plot wrong

A lot of young people are not interested in going to the theatre for several reasons, but the benefits of regularly seeing a show outweigh their doubts

27258700212_2f701c1940_b
|Google images
From the Adelphi theatre in the West End to a fringe show in a 15 seat theatre in East London. The city offers endless amounts of theatrical productions. Revivals, musicals, straight plays and comedies, the choices are endless and cater to every taste. Whether you want a night of dramatic over the top colourful costumes and catchy songs, or a two-actor hour long play that will have you thinking about it for hours afterwards. The choices are as diverse as the audience, or is the audience not as varied as it could be?

According to Andrew Lloyd Webber, London is now behind Broadway with only three new musicals opening until May 2017, whereas New York has 14 new shows.  Instead of supporting new work and giving new writers opportunities to showcase their work, London produces a lot of revivals. But Lloyd Webber claims, it’s not because the West End is not giving enough chances to young writers and producers. He’s criticising the lack of education in the arts in British schools. If there’s no proficient arts education in schools, how are young people supposed to get interested in the arts, particularly the theatre?

Millennials attitudes towards theatre

There’s a community of young theatre lovers in London that can’t imagine anything better than sitting inside an old building and watching people perform. Unfortunately, even more people of the younger generation have no interest in this art form or have the wrong idea about it. The most common thoughts about the performing arts are that it’s unaffordable, not knowing what to expect and thinking it’s too old fashioned.

It’s clear that something needs to change. The theatre has been around for so long, because it has evolved and changed throughout hundreds of years. From the Shakespeare Globe, with bad lighting to contemporary theatre and special effects. The theatre has to change with the times.

13909182_1168171836538059_3006649291602773674_o
The Harold Pinter Theatre | Sarah Louhichi
However, there’s something about the theatre that is captivating and magical. A good play can make you feel like the last two hours flew by in five minutes.

Culture is an important part of human development. Art has always been used as a way of trying to make sense of the world. Whether it’s through a painting, a sculpture or other artistic creations. Most plays and even musicals are written to highlight problems around the world, in our daily lives, and the way we live and how we might influence the future. Shows usually bring attention to things that should concern all of us.  A lot of plays will have you thinking about its content hours after you’ve left the theatre, because you’ll be drawing connections to contemporary life.

It’s going to make you feel emotions that compare to nothing else. Having something happen right in front of you, is unlike any other medium or type of entertainment. Every performance is different, not considering the big hick ups that might happen. Each show the actors might use a different tempo in a monologue or use different facial expressions. Sometimes the energy in the theatre is so intense that you can’t help but feel excited. Being part of a show is always something unique, you’ll never know how other performances went and how other audience members have experienced it. Unless, you see a show several times, but that’s a whole new topic.

There’s a community of theatre lovers that can’t wait to share their favourite hobby with others. Whether they’re theatre blogger, frequent visitors or actively performing. Thanks to social media you can not only connect with the actors and production team of each show, you can also be part of a huge community that is happy to arrange theatre trips and share their thoughts and feelings about issues in the industry.

It’s understandable that a visit to the theatre seems a bit daunting. Not knowing what to expect, how to behave and what you’re going to experience can be scary for anyone who has no knowledge of anything theatre related. However, once you’ve given it a try and see a production that’ll take your breath away, the benefits of regularly attending shows and letting culture into your life, will be clear.

Dealing with post-show depression

Devastated fans explain what happened when their favourite show left the West End for good.

Sunny Afternoon closing night. Image by Harold Pinter Theatre
Sunny Afternoon closing night |Harold Pinter

“I’m missing a huge part of my life. I used to have somewhere to go to, knowing it would make me happy and feel good, I don’t anymore,” said Jessica Gray, 26.

Whether you’re a musical or play lover, London’s West End offers a wide range of shows: from the emotional Les Misèrables, to a juke box musical like Jersey Boys and Agatha Christie’s Mousetrap, the longest running show in London, there’s something to satisfy everyone’s tastes.

Every show accumulates a fan base with the musical becoming part of their life, developing friendships with supporters as well as cast members, following the show to other events and creating social media fan accounts becomes a normality.  So, what happens when a show closes?

Sunny Afternoon has grazed the West End for the two rock ‘n’ roll filled years. Not only has it accumulated a huge fan base, it has also won four Olivier Awards and has been praised by many stars, Mark Hamill being one of them.

In August 2016, the hit show on the rise and stardom of iconic English band The Kinks embarked on their first UK Tour, with the West End cast doing their last performance on October 29th 2016.

Below, three very dedicated followers shared their experiences.

Deborah Gilpin

Deborah Gilpin on stage at her 50th show with part of the cast I Image by Deborah Gilpin
Deborah on stage at her 50th show with part of the cast |Deborah Gilpin

Deborah,28, undoubtedly set the record for seeing the most shows within the Sunny Afternoon fan base, hitting the mark at 279 times.

How involved were you with Sunny Afternoon?

Deborah Gilpin: I ended up seeing 279 shows, although I’d have liked to reach the 300 mark.

Throughout her visits, Debbie quickly became friends with other regular audience members, together they started a Twitter fan account. “We just wanted to bring people together initially, then this year we’ve tried our best to promote the second cast as they seemed to be getting less attention, which led to the Cast Member & Understudy of the Month awards,” said Debbie.

How are you coping with the show leaving the West End?

I had no idea how to cope with it at the beginning, my plan was to make the most of it being there, enjoying every minute of it and waiting to see how everything went afterwards. Luckily I have my theatre reviewing keeping me busy. I’m waiting for more of the actors (from both casts) to get new jobs or announce gigs, I’m going to follow them on their new projects. Plus I’m excited to see what the tour is like, I’m planning to see it once it reaches a venue closer to me.

Ksenia Nemchinova

Ksenia Nemchinova outside the Harold Pinter Theatre. Image by Ksenia Nemchinova
Ksenia Nemchinova outside the Harold Pinter Theatre | Ksenia Nemchinova

Ksenia,30,  travelled to London from Russia a lot, seeing the show 122 times: “Being a Kinks fan, I’d been following the development of the show since its first workshop in December 2012.

“I fell in love with Sunny Afternoon and there was no turning back. I’m also co-running the fan page with Debbie and Jess”.

How you’re feeling now and how you’re trying to cope with its ending, do you have a special plan for that?

Ksenia Nemchinova: I’ve never been this attached to a show before so it’s not easy to process and to cope. Sunny Afternoon may not be in London anymore, but I’ve seen the touring production several times and I have grown to love them dearly, so it’s definitely not the end for me, the tour will keep me going for another few months.

And after that, who knows? The show may be back in London again, maybe if we all wish really hard…

Jessica Gray

Jessica Gray with part of the cast at the stage door. Image by Jessica Gray
Jessica Gray with part of the cast at the stage door | Jessica Gray

Jessica has been following the show since its very beginning: “I first saw Sunny Afternoon at the beginning of October 2014.

“I had been invited to review the show for my blog, and became a fan immediately.”

“I started a fan page first on Twitter and then on Facebook and eventually I made arrangements with the show’s marketing company for an official Sunny Afternoon Challenge Week to happen.”

“During it, we would attend every show over a week and blog about it daily, with a new challenge being assigned to us every day.”

What are your plans now?

Jessica Gray: I’m actually leaving London – not exactly because of the show closing, but I’d be lying if I said that it didn’t make my decision a lot easier. I’d like to see the tour again, however following it around the country isn’t an option for me. I’d mostly like to see what actors from the West End production do in the future in terms of new shows.

The world doesn’t end when a show ends. There are different ways to cope with it, whether that is concentrating on other shows, supporting the cast members in new projects or trying to stay away. Even when the show has ended, you’ll always have the memories. Not to forget the cast recording.

Alice’s Adventures Underground|review

★★★★★ Les Enfants Terribles, The Vaults

Alice’s Adventures Underground is an unmissable production that has created the most imaginative way of telling a story.

ALICE'S ADVENTURES UNDERGROUND. Richard Holt 'Hatter' and Philippa Hogg 'March Hare'. ©Rah Petherbridge Photography
Alice’s Adventures Underground | Alex Gilbert

Upon arrival, it feels like walking into a different, whimsical world. Before the performance has even started, you find yourself in awe by the creative design and themed (and strong!) cocktails. Once the journey begins, it’s up to you where it will lead. Alice’s Underground Adventure is unlike anything I’ve seen at The Vaults.

Instead of watching the story unfold right in front of you, you’re part of it and not only that, it’s like stepping into it and you decide where the adventure will take you. Depending on what route you choose, either shrink by taking a drink or grow by having a sweet, you steer your journey through Wonderland.

The Queen of Hearts has turned so evil, chopping off people’s heads for anything. An underground group grows and tries to ignite a revolution…Will you be part of the secret revolution? Or will you be on the Queen’s side?

Be wary that if you’ve come with someone you might not end up with them, as groups are split throughout the production. This is done by picking a playing card and depending on the suit you have chosen, you have to complete a different secret mission.

ALICE'S ADVENTURES UNDERGROUND. Philippa Hogg 'Alice'. ©Rah Petherbridge Photography
Alice in Alice’s Adventures Underground | Alex Gilbert

The design and details are the most interesting thing about this immersive production. You could go several times and still find new things and discover details about this incredible underground world that you haven’t seen before. Besides the creative set up, the actors (or interactors) are the other wonderful thing. Not only do they stay in character the whole time, they also interact incredibly well with the audience. They have an off-the-cuff humour and the talent to improvise, which you find endearing.

Another amazing thing is that the cast switches roles, so if you come twice you’re likely to see different people play different characters. Combined with the different story lines, it’s possible to go several times and still experience something completely new.

by Al Overdrive
Alice’s Adventures Underground | Alex Gilbert

The best part about this adventure is that you’ll actually feel like you’re part of it, you’re making a difference in the story. It’s almost heartbreaking leaving the characters and Wonderland behind. The intricate details of the production won’t leave your mind, even after leaving the venue.

Alice’s Adventures Underground runs at The Vaults until 23 September 2017

@AliceUnderLDN

Pluto | Review

★★★★☆ Moonchild Theatre Company| Baron’s Court Theatre

Moonchild Theatre Company stages an impressive first production of a new play that captures many important issues in today’s world, by personifying likeable planets, comets and moons.

DB-20170122-0241-3397-Edit
Liam Joseph (Pluto) and Charlotte Price ( Professor Furtham/ Charon) |Moonchild Theatre Company

The New Horizons probe lands on Pluto in 2006 and brings bad news for the planet, who is currently having a party which no one has turned up to, except for his best friend Charon. The probe that arrives bears news from NASA telling PLUTO that he’s no longer a planet. He’s now labelled a ‘Dwarf Planet’ which throws Pluto into total chaos, “I’ve been conned into hosting my own funeral”. He’s confused about his identity and has only Charon (and a stripper she hired), to cheer him up and help him to understand.

“Pluto: The subject of much confusion,” as his friend Charon puts it, is mirroring people in our society who have things decided for them, often by men in power who cannot even begin to understand their situation.

The production touches on a fair amount of social and political issues, maybe too many to completely be sure of its message. The staging is sparse but it works, due to the dark walls of the tiny Baron’s Court Theatre, giving you a feeling of deep space.

DSCF3648
Liam Joseph (Pluto) | Moonchild Theatre Company

Callum O’Brien takes Pluto and turns his story into a perfect metaphor for issues such as labelling others, accepting people for who they are and feeling lonely. His direction is clear, fresh and ideal for millennials who would love to see their first play but are daunted by big Shakespearian productions.

The stripper scene is hilariously awkward. The overall humour of the play manages to cover up many of the issues and problems in today’s society.  Liam Joseph’s Saturn impression is brilliant and draws the audience on his side. He brings Pluto to life and turns him into a character that you like instantly. He’s not just a planet but a man with a heart and soul.

Charon, played by Charlotte Price is extremely gripping and intriguing. You find yourself hanging to every word during her monologue about her friendship to Pluto. She simply leaves you wanting more.

Pluto might not be as smooth sailing as a West End production might be, but as a brand new play, it definitely is a strong first production for the Moonchild Theatre Company who’ve managed to capture the current issues perfectly.

Pluto runs at Baron’s Court Theatre until 23 April and will transfer to the Cockpit Theatre from 14 August until 17 August.

#iheartPLUTO @MoonchildPluto

Moonchild Theatre Company: “The Planets have aligned for us”

A new theatre company has landed in London. The Moonchild Theatre Company is staging its first play Pluto at the Baron’s Court Theatre, starting 18 April.

unnamed
Charlotte Price (Charon/ Prof. Furtham) and Liam Joseph (Pluto)

The two co-founders Liam Joseph and Callum O’Brien met as Front of House staff at the Harold Pinter Theatre. Liam, whose background is theatre and acting and Callum who studied film, teamed up and not only co-found their theatre company but also created their first production. Callum wrote the script and is directing the play with Liam producing and starring in it. They both have a passion for space and astronomy and are interested in current affairs; socially and politically. Liam had already paid for the space at the Baron’s Court Theatre, so he asked Callum to write him a play.

“Pluto was an alignment of planets”, says Callum.

“When I was writing about space, at the same time I was reading an article on North Carolina passing a law in 2016 that makes you use the bathroom that you were born into. So, if you’re transgender that causes confusion. It was passed by a bunch of people who would never see the effect it would have on the community.”

He continues: “I was thinking about space and I was thinking about this story. People who have had their identity defined by people who do not know them and it’s quite similar to Pluto, who was a planet but is no longer a planet and it was defined for “him” based on people who have never been to the planet. I took these two stories and married them and we’ve created this unusual piece of work, but it works.”

“It could mean a lot of things to a lot of people, we deal with politics, we deal with friendship, depression and you could take it literally and it could be a story of planets.”

The two criticise the London theatre industry. “A lot of shows nowadays cater to a very specific or older audience.”

Callum adds: “I think new writing can cater more towards a millennial audience. A lot that Pluto deals with is frustration, your voice has been stolen from you, your agency has been deprived, you cannot speak out for what you want to and it reflects the way millennials are portrayed as; numb observers.”

As director, Callum wants to make Pluto and turn it into an iconic object that could be the “figurehead of the LGBT cause.” However, he is worried about trying to tackle too many issues in their production. “We run the risk of writing something that could be about everything and nothing.”

Unlike many other theatre companies, Moonchild Theatre Company caters to millennials; “I’d rather make theatre accessible, but a lot of shows follow the older generation, and the tickets are so expensive.”

“All great artistic movements cater to the young and it’s foolish to overlook them, they will inherit the world one day. What you teach them now, that’s what they’ll take with them later in life and if you can get them interested in theatre and art now, hopefully there will be a future for art, especially in a world with an administration that cut art funding and pride things like guns and war.”

Looking at the news and everything that’s been going on recently the play seems to “come at the right time. I think there’s something happening right now, something is going to happen soon, the young people are beginning to regroup and feel there is this slight injustice against something.”

The two recount how everything has happened at the same time and how the timing of meeting at the Harold Pinter couldn’t have been better. “It’s like a volcano, everything has come at once, LGBT communities, Trump and technology. It never would’ve happened hadn’t we worked in the theatre together. Liam and I wouldn’t have met. Charlotte Price, who is also in Pluto also works at the Harold Pinter as front of house, so does Aimee Leigh the production manager and Giuliana Davolio the set designer for Pluto.”

“We’re incredibly lucky to work in such a supportive venue”

Their manager Rachel is interested in what their doing, as well as ATG. “It makes it worth what we’re doing, to know that your manager is interested in what you’re doing outside of work, it’s really warming and quite rare, not many theatres have that kind of support. She’s been so nice, she’s let us put the flyers around the building and helps us put them in other theatres as well”, says producer Liam Joseph.

“It’s encouraging to know that someone in such a high position cares about new writing and helping her staff .”

The rehearsal for the play is going well according to Callum. Even though this is a stressful time, he finds it rewarding. “It’s the most interesting learning curve for me, knowing how to develop the script. All four of us have fine tuned it and arranged it and moulded this play to be something that we all want to be part of.”

In the future the team wants to create and produce theatre as well as film. “We also want to look at merchandising our company, because we feel like we’re very sell-able”, says Liam. “We’ve got a cool logo.”

“Creatively we would like to go off in every branch in media and art.”

After Pluto, the theatre company will potentially put up an exhibit of pictures from Pluto’s set and production in an art gallery in Camden. “That’s what interested us, because theatre is never looked at through still images, with the exhibition, you meet theatre and film in the middle.”

Help Moonchild Theatre Company stage their first production and donate to their IndieGOGO page.

IndieGOGO from Liam Joseph on Vimeo.

Pluto transfers to the Cockpit Theatre in August. It’s running at the Camden venue from 14 August until 17 August and is part of the Camden Fringe Festival.

#iheartPLUTO @MoonchildPluto