Tag Archives: play

Chinglish | Review

★★★★☆  Johanson Productions, Park Theatre

David Henry Hwang returns to the Park Theatre with his European premiere of Chinglish. It explores the contemporary issues of doing business between two different cultures, East and West.

Chinglish Production PhotosCredit: The Other Richard
Lobo Chan (Cai Guoliang), Candy Ma (Xi Yan), Windosn Liong (Bing) and Gyuri Sarossy (Daniel) | Richard Davenport for The Other Richard

Andrew Keates directs this laugh-out-loud comedy, that starts with Daniel doing a presentation on poorly translated Chinese signs. “To take notice of safe: The slippery are crafty” and “Fuck the certain price of goods” pull the audience in with laughter in the first few seconds of the play.
Daniel, an American, wants to start a business arrangement with China on the behalf of his company ‘Ohio Signage’. When he meets Peter, an English teacher, he employs him as his business consultant.

Peter has lived in China for over a decade and gives Daniel advise on how to close a deal with the Chinese. The one important thing he says, is taking the time and trouble to build a relationship and understand the customs of the Chinese people in order to be successful.

When Daniel meets Xi Yan, the Vice-Minister for Culture, secrets are uncovered and a forbidden relationship begins.

Chinglish Production PhotosCredit: The Other Richard
Duncan Harte (Peter Timms) | Richard Davenport for The Other Richard

Gyuri Sarossy and Candy Ma are an ideal leading duo who bounce off each other perfectly.

The theme of the play looks at the language barrier between different cultures, as well as how to make business deals. A plethora of funny incidents occur over the duration of the show, which makes it so relatable, we’ve probably all encountered the problem of trying to communicate with someone who doesn’t speak our language. It also goes deeper – as it seems that everyone has something to hide from each other, and it shows the nature of making business decisions.
The staging is incredibly clever, by using a closet-like backdrop with small doors that open in different sizes and ways -transforming the stage into something completely different for each scene.

Chinglish - Candy Ma and Gyuri Sarossy (courtesy Richard Davenport for The Other Richard) 2

Gyuri Sarossy (Daniel) and Candy Ma (Xi Yan) |Richard Davenport for The Other Richard

Chinglish runs at the Park Theatre until 22 April.

@ChinglishUK, @ParkTheatre

A Clockwork Orange| Review

★★★★☆  Action to the Words,  Park Theatre

High energy paired with stunning choreography and Beethoven’s Symphonies. A Clockwork Orange is an intense theatre experience that shouldn’t be missed.

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Luke Baverstock (Georgie) Sebastion Charles (Dim) Jonno Davies (Alex) Tom Whitelock (Pete) |Matt Martin

Written by Anthony Burgess and based on his book from 1962, showing the worst side of humanity, which is scary as it’s still relevant today. The all-male cast hits the Park Theatre with force, style and raw sexuality.

The story follows Alex and his droogs, who commit horrific acts of violence in the underworld of Manchester. Their acts are fuelled by battling boredom. They are warned to stop but don’t listen and end up in prison, where Alex tries everything to be released. Later he becomes a Guinea pig, where scientists are trying to cure him. He’s stripped of his aggressive behaviour and changes from evil to good. Now, he’s merely a vague memory of his former self.

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Tom Whitelock (Pete) | Matt Martin

Jonno Davies as Alex is bold, dynamic and has the audience following his every move and word. He clearly transitions from an ultraviolet Alex to a mere shell of him. Tom Whitelock is a great addition, who plays a seemingly insane Pete, almost animal like. Sebastian Charles as Dim is scary and aggressive, adding another level of intensity to the play.

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Jonno Davies (Alex) | Matt Martin

The direction by Alexandra Spencer-Jones is incredible and turns this play into a masterpiece. She uses the stage surrounded by the audience to her advantage, using different entry points and not only focusing on aiming the action at one side of the stage.

The choreography is one of the highlights of the show, complementing the high energy that has the theatre buzzing and paired with the aesthetics. When two gangs clash, she turns it into a beautiful movement. The play is a piece of art and leaves you wanting more, feeling like the 90-minute play was not enough.

A Clockwork Orange runs at the Park Theatre until 18 March.

@Droogie_Tweets @ParkTheatre

 

Beau Brummell- An elegant madness | Review

★★★☆☆ European Arts Company, Jermyn Street Theatre

This dark comedy about the celebrity Beau Brummell is entertaining but too long.

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Seán Brosnan (Beau Brummell) and Richard Latham (Beau’s valet) | Savannah Photographic

Beau Brummell; the first person who was famous for being famous. Nowadays, there are many alike him, The Kardashian clan being one of them. In the 18th century he was the modern narcissist, watching himself in the mirror all day long and letting people stare at him while he was getting dressed.

After a public incident with his friend the Prince of Wales, he’s forced to live in exile in Calais. Now poor, due to his lifelong addiction to gambling and driven into madness by Syphilis, Beau lives in a small flat in a covent with his valet. When the Prince of Wales, now King, comes to visit, Brummell hopes to be reinstated and be able to go back to his old life.

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Richard Latham (Beau’s valet) and Seán Brosnan (Beau Brummell) | Savannah Photography

On the surface, this play is well done. The set design is beautiful and intriguing, the acting is superb and leaves no reason for criticism. It’s funny and the dialogue is written well and witty with a lot of opportunities to make the audience chuckle. The story and the length of the the show is what lets the production down. It’s not clear what we’re meant to take away from the story.

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Seán Brosnan (Beau Brummell) and Richard Latham (Beau’s valet) | Savannah Photography

The production would’ve worked better in a shorter more compact version, as a lot of the conversations didn’t lead anywhere or uncover something essential. After a while it just felt stale.

Overall, it had its highlights through jokes and funny anecdotes, or the way that putting on his clothes was almost a sacred act.

Beau Brummell- An Elegant Madness runs at the Jermyn Street Theatre until 11 March.

@EuropeanArtsCo. #BeauBrummell @jstheatre

This must be the place | Review

★★★★☆ Poleroid Theatre, The Vaults

Poleroid Theatre presents a captivating tale of living in the 21st century, connectivity and breaking free from old lives.

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(Left to right) Feliks Mathur (Tate), Hamish Rush (Matty) Molly Roberts (Lily) and James Cooney (Adam) | Mathew Foster

Many dream of living in London, but with sky high house prices and the pressures of life in the capitol, only few make it.

This Must Be The Place tells the story of Adam, a young Londoner who is sick of city life, everyday rush hour, unaffordable flats and bad financial situations. He needs a clean break. One day after work he throws his phone into the Thames and disconnects himself from everything and everyone. He needs to find home.

Somewhere else, two friends are ready for a new start. With hopes of a better future, they are ready to leave their problems behind and head off to London.

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James Cooney (Adam) | Mathew Foster

The play explores relationships in the 21st century. In a society where mobile phones hold more value to people than real life connections. A like on social media is more important than a meaningful conversation with a friend, and sharing anything with anyone in the world is more interesting than talking to your family.

We’re addicted to our phones and the abilities to do it all, whether it’s through connecting with people across the world, or to give you answers to every possible question you might need to know. This play shows us that we’ve disconnected ourselves from reality and the outside world while being so connected, we’re essentially on our own.

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Feliks Mathur (Tate) and Hamish Rush (Matty) | Mathew Foster

These two stories are are creatively intertwined. Directed by Justin Audibert and Josh Roche, they conquer the hearts of the audience with wit, honesty and words only. No props, costumes or setting is even needed. The words grab you and pull you into the lives of each character.

Poleroid Theatre explores the “Dark undercurrents of life in the 21st century” and gives young actors and writers a chance to develop and thrive. James Cooney (Adam), Feliks Mathur (Tate), Molly Roberts (Lily) and Hamish Rush (Matty) all achieve to captivate the audience.

This Must Be The Place runs at the Vaults during Vault Festival until 12 February.

 

Henry V | Review

★★★☆☆  Antic Disposition, Southwark Cathedral

A beautiful adaptation of Henry V, but it’s missing something to make it unforgettable.

Antic Disposition’s production of Shakespeare’s Henry V, embarks on its second UK tour of the most historic cathedrals.

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British soldiers | Scott Rylander

It’s France 1915, the first world war and two groups of wounded soldiers, French and British are brought to the same military hospital. While recovering, the soldiers and nurses stage the production of Henry V – 500 years after the Battle of Agincourt.

It’s not something for a Shakespeare newbie. Since it’s not easy to place the story or understand the context, if you’re not familiar with it or haven’t done some research beforehand you might find it slightly confusing. In this case, it’s almost essential to get a programme and give it a good read through before the start of the show.

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Photo courtesy: Scott Rylander

The production moves between 1415 and 1915, and adds original songs with live music inspired by the poetry of AE Housman.Whereas the transition between reality and play are smooth, you need to have some knowledge of Henry V to distinguish these at once.

The play being performed solely in cathedrals, gives it an opportunity that it wouldn’t have in a regular theatre and it’s obvious what was behind the thought process. It gives it the chance to use the acoustics to its advantage. The vast cathedral, with its high ceilings makes some scenes, songs and the sound of bombing more powerful, making the play more intense. However, the acoustics are also the downfall for the production. If the actor doesn’t directly face you, it is barley distinguishable what they are saying, therefore you’re losing out on the story.

Even though the cathedral makes the setting more unique and genuine, it has its downside as several scenes happen on the ground or sat down and even sitting in the second row, the view is obstructed resulting in missing out on several moments of the play.

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Floriane Andersen as Princess Katherine | Scott Rylander

The cast overall has uneven performances, some outstanding and touching, others rather forgettable. Floriane Andersen delivers a flawless performance, eloquently switching between English and French.

Anitc Dispostion’s Henry V tours across different cathedrals in the country until 22 February.

@Anticdispo #HenryV

Dirty Great Love Story | Review

★★★★☆  Arts Theatre, Dirty Great Love Story

Dirty Great Love Story is a quirky feel-good romantic comedy, perfect for fighting off those winter blues.

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Ayesha Antoine and Felix Scott | Richard Davenport

After a highly acclaimed UK tour, the Fringe First Award winning Dirty Great Love Story makes its West End debut.

Katie and Richard are two romantics that meet at a rather unromantic setting. Both are on a night out in a sweaty club and their drunken friends are trying to hook them up. The next morning they wake up hungover, barely remembering that they had slept together.

As soon as Katie gets the chance, she jumps out of bed and disappears. Richard is not her type, plus, she still needs to get over her Ex. However, as much as Katie would like to never see Richard again, fate has a different plan for them. Due to their friends, they keep bumping into each other, but does this mean they are meant to be?

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Felix Scott and Ayesha Antoine | Richard Davenport

Writers Richard Marsh and Katie Bonna create a wonderful love story that has the theatre shaking with laughter. Through its pop culture references and and modern feel, it’s relateable to any millennial everywhere. Some of us might see themselves in various characters, and recognise situations that mirror their own lives.

Pia Furtado directs Ayesha Antoine and Felix Scott who commit to their characters wonderfully and have the ability to change personas instantaneously, while they rhyme their way into the audiences’ heart.

Dirty Great Love runs at the Arts Theatre until 18 March 2017

@DirtyGreatLove #DirtyGreatLoveStory 

Pride and Prejudice | Review

★★★★☆ Two Bit Classics, Jermyn Street Theatre

This play is an intelligent and heartfelt adaption of the Jane Austen classic. With witty and creative uses of narration, this story tells of one of the most romantic novels of all time.

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Photo is courtesy of Carrie Johnson

When Mr Bingley moves to Netherfield Estate, Mrs Bennet gets excited as she hopes one of her daughters is to marry him. Having five daughters, she’s constantly trying to marry them off. Mr Bennet is a relaxed man compared to that of his wife, who is not as eager as his wife. When Jane meets Mr Bingley, they seem to have a mutual interest in each other. However, his sister doesn’t agree with their possible relationship. Meanwhile, Mr Darcy, a handsome and proud aristocrat, doesn’t make a good first impression with Elizabeth.

Joannah Tincey adapted the play, creating a theatrical experience of the novel. Starring two actors playing 21 characters that are distinguished and clear, finding the line between narrator and character. Her genius of exploring the 200-year-old story and turning it into a play that only uses Austen’s own words, is well thought and works brilliantly in the small space of the Jermyn Street Theatre.

Nick Underwood’s portrayal of Jane Bennett is elegant and feminine and an audience favourite. His coughing as Kitty creates laughter from beginning to end.

Two Bit Classics Pride and Prejudice Photo by Carrie Johnson
Mrs Bennet (Joannah Tincey) and Mr Bennet (Nick Underwood) | Carrie Johnson

Director Abigail Anderson created an engaging romantic play, bringing famous personas from British Literature to the stage. She uses the third person narrative that introduces a dialogue between two characters, and by addressing the audience, they create a sense of relationship.

Whereas it is slow at points, once you pick up the story, it’s easy to get lost in it. It also seems slightly confusing, the actors are running around, changing characters and it takes a while until you catch on. After understanding which person possesses what characteristic, it’s easy to follow their journey.

 

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Jane Bennet (Nick Underwood) and Elizabeth Bennet (Joannah Tincey) | Carrie Johnson

The show uses a creative approach of narration in order to change characters. Underwood and Tincey narrate while acting and therefore explaining who is speaking. One element that makes this play so beautiful are the little differences between each character. A pipe for Mr Bennet, a handkerchief for Mrs Bennet. A change of tone, accent or body language. Those details accentuate the amazing character work by the two actors, showing that they know their characters very well.

Pride and Prejudice runs at the Jermyn Street Theatre until 21 December.

@TwoBitClassics @jstheatre #PrideAndPrejudice