Dust is a bold, honest and heartbreaking one woman show about mental health, depression and the aftermath of a suicide.
Alice struggles with mental health and one day she gives up and kills herself, but she’s stuck. She’s like a fly on the wall, in-between worlds, watching the aftermath of her death and the effects it has on the people around her. We first meet her on the mortuary slab, where she examines her dead body, almost like she’s looking at someone else. We’re with her when she’s at her own funeral, when she commits suicide and when she wants to hug her parents.
There a light and funny times during the play, where Alice jokingly talks about things in her old life but the dark and more intense scenes, such as her suicide outweigh the lightheartedness. In combination with the mirrored stage by Anna Reid and the direction by Sarah Joyce, the show leaves an aftertaste of feeling lonely, vulnerable and weak.
The show itself has a millennial feel to it, not only because Alice is a typical millennial but it also focuses on issues like the addiction to smartphone and the constant urge to check social media that we all know to well.
Milly Thomas’s raw, vulnerable and more than honest performance transfixes the audience. I kept catching myself trying to hold my breath during certain scenes. The overall effect of the production is so powerful that it goes beyond thinking about it afterwards. It almost had a physical effect on me while watching it, unlike anything I’ve ever experienced when watching a show.
Dust runs at Trafalgar Studios until 13 October. Tickets are available here
A lot of young people are not interested in going to the theatre for several reasons, but the benefits of regularly seeing a show outweigh their doubts
From the Adelphi theatre in the West End to a fringe show in a 15 seat theatre in East London. The city offers endless amounts of theatrical productions. Revivals, musicals, straight plays and comedies, the choices are endless and cater to every taste. Whether you want a night of dramatic over the top colourful costumes and catchy songs, or a two-actor hour long play that will have you thinking about it for hours afterwards. The choices are as diverse as the audience, or is the audience not as varied as it could be?
According to Andrew Lloyd Webber, London is now behind Broadway with only three new musicals opening until May 2017, whereas New York has 14 new shows. Instead of supporting new work and giving new writers opportunities to showcase their work, London produces a lot of revivals. But Lloyd Webber claims, it’s not because the West End is not giving enough chances to young writers and producers. He’s criticising the lack of education in the arts in British schools. If there’s no proficient arts education in schools, how are young people supposed to get interested in the arts, particularly the theatre?
Millennials attitudes towards theatre
There’s a community of young theatre lovers in London that can’t imagine anything better than sitting inside an old building and watching people perform. Unfortunately, even more people of the younger generation have no interest in this art form or have the wrong idea about it. The most common thoughts about the performing arts are that it’s unaffordable, not knowing what to expect and thinking it’s too old fashioned.
It’s clear that something needs to change. The theatre has been around for so long, because it has evolved and changed throughout hundreds of years. From the Shakespeare Globe, with bad lighting to contemporary theatre and special effects. The theatre has to change with the times.
However, there’s something about the theatre that is captivating and magical. A good play can make you feel like the last two hours flew by in five minutes.
Culture is an important part of human development. Art has always been used as a way of trying to make sense of the world. Whether it’s through a painting, a sculpture or other artistic creations. Most plays and even musicals are written to highlight problems around the world, in our daily lives, and the way we live and how we might influence the future. Shows usually bring attention to things that should concern all of us. A lot of plays will have you thinking about its content hours after you’ve left the theatre, because you’ll be drawing connections to contemporary life.
It’s going to make you feel emotions that compare to nothing else. Having something happen right in front of you, is unlike any other medium or type of entertainment. Every performance is different, not considering the big hick ups that might happen. Each show the actors might use a different tempo in a monologue or use different facial expressions. Sometimes the energy in the theatre is so intense that you can’t help but feel excited. Being part of a show is always something unique, you’ll never know how other performances went and how other audience members have experienced it. Unless, you see a show several times, but that’s a whole new topic.
There’s a community of theatre lovers that can’t wait to share their favourite hobby with others. Whether they’re theatre blogger, frequent visitors or actively performing. Thanks to social media you can not only connect with the actors and production team of each show, you can also be part of a huge community that is happy to arrange theatre trips and share their thoughts and feelings about issues in the industry.
It’s understandable that a visit to the theatre seems a bit daunting. Not knowing what to expect, how to behave and what you’re going to experience can be scary for anyone who has no knowledge of anything theatre related. However, once you’ve given it a try and see a production that’ll take your breath away, the benefits of regularly attending shows and letting culture into your life, will be clear.
An intense and brave tale of evil, the death penalty and the human inside a monster.
The play based on the novel by Rene Denfeld looks at the person behind a murderer and the death penalty. Waiting for your death on death row is lonely. Arden is mute and as he waits for his day, he listens and watches an investigator trying to save some of the prisoners from their deaths. While doing so, she uncovers the sad and disturbing past of some of the ‘monsters’ in the maximum security prison.
The choreography by movement director Emily Orme, conveys a sense of helplessness and sadness that carries throughout the whole play, with an eerie undertone through the music.
The stage and background are completely white and chalk is used to draw on it. However sometimes it doesn’t have enough of an impact as the light blue colour of the chalk gets lost easily.
The use of puppetry shows a certain vulnerability each of the characters have, it’s done so delicate and creatively it adds to the aesthetics of the show. However, the puppets are always used during narration, therefore they have to compete for the audiences’ attention with the actor on stage and it looses its impact slightly. It would’ve worked better if they had been on stage by itself.
Corey Montague-Sholay who plays the narrator and Arden, a silent killer is captivating. He captured the essence of his character and the play so well, it’s beguiling and so compelling that it would probably work with just him telling the story of all the other characters.