Tag Archives: millennial

This Little Life of Mine | Review

★★★☆☆ Park Theatre, This Little Life of Mine

Michael Yale (Book and Direction) creates a delightful production that depicts the ups and downs of an ordinary life.

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Jonesy and Izzy are young, in love and just moved into a new tiny flat in London. They live an ordinary life, with friends and jobs. However, as normal for ordinary people, things happen. Rather their funny incidents, with their friends wanting to swing with them or showing them what Tinder is about. As well as sad moments, like having difficulties to get pregnant which puts a strain on the relationship. From the beginning of the show it is clear that this new musical has a lot of potential. With songs like ‘Hey Prince Charming’ and ‘Just one more’ ( A song about one cheeky drink at the pub turning into many), which we’ve all experienced before.

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Greg Barnett is the comedic highlight, playing Raphael the barrista and bartender.  Kate Batter has a wonderful voice and shows vulnerability playing Izzy , who’s desperate to become pregnant. Caroline Deverill shows great versatility playing a range of characters, from the best friend to the mother-in-law. Jonesy, played by James Robinson, shows a lot of heart. The duet between him and Izzy, is incredibly touching and is a perfect way to show their problems as a couple, their loss of connection and disparity. 0ayngnmu-jpg-large

Some of the characters are flawed and are missing substance. While only showing the surface, it still feels believable and their feelings and problems are easily relatable. As a millennial, I expected this show to mirror a contemporary couple’s lifestyle. However, it wasn’t modern enough for me. It was great to see references to Doctor Who or seeing them take a selfie and things that millennials do and say, but it was simply not enough. Sometimes, it wasn’t really believable either. Izzy wasn’t dressed as hip and young Londoner and not knowing what Tinder was, even if you’re in a relationship, doesn’t particularly scream millennial.

Yet, this heartfelt story is wonderfully entertaining and Charlie Round-Turner’s music makes this ordinary musical quite extraordinary.

The Little Life of Mine is currently playing at the Park Theatre until 29 Oct 2016.

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1984 | Review

★★★★☆ Playhouse Theatre, 1984

An intense, powerful and somewhat traumatizing experience with fantastic performances that make this play a must see of the season.

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Winston Smith, a comrade of the outer party, opens a diary that will change his life forever. By doing so, he commits ‘thoughtcrime’ that is punished by death. He lives in a post-war world that is split into three countries, Oceania,  Eurasia and Eastasia.

The Government controls everything, what people eat, by rationing food, what they do, with constant surveillance through telescreens that can’t be turned off. Sex and love are forbidden. People are meant to dedicate their life to the party and therefore relationships are not allowed, and sex is only for the reproduction of party members. Even thinking is controlled by the government through newspeak, the language of Oceania, that decreases its vocabulary yearly and therefore ‘thoughtcrime’ will become impossible. People are brain washed and therefore don’t realise that they’re being told what to do and think.

Winston, who works in the Record Department has realised Big Brother’s control over everything and started to question his life. In the search for liberty, he meets Julia, a young comrade and falls in love. They join The Brotherhood, a secret organization by Emanuel Goldstein, an ex-Inner Party member who turned against Big Brother and is now the symbol of the rebellion. However, Big Brother is always watching.

The direction by Robert Icke and Duncan Macmillan is brilliant through and through. The timing reinforces intensity of certain scenes keeping the audience on the edge of their seats. However, if you’re not familiar with the story, it takes some time to understand the storyline and what is actually happening on stage, as there isn’t much background information that explains this distorted world.

Winston Smith is played by Andrew Gower, who delivers a magnificent performance that follows his journey as a frail man, who has trouble differentiating reality from false memories to opposing a suppressive government. Catrin Stewart, who portrays Julia is an excellent addition to Winston, as a young and energetic woman who knows how to lie properly in order to survive in Oceania. The staging is not only clever and efficient but also so versatile. It makes you hold your breath. One minute, we’re in Winston Smith’s home, the next in the canteen and then at the train station.

This spine-tingling play leaves a bitter sweet aftertaste. Resonating with a world that had Snowden revealing that the USA secretly used the internet for mass surveillance to spy on people and governments.

So did George Orwell predict the future? Are we all being brainwashed without realising it? These questions stay in mind, even hours after leaving the theatre.

1984 is currently running at the Playhouse Theatre until 29 October 2016

Unfaithful | Review

★★★★☆ Found 111, Unfaithful

Director Adam Penford creates an intimate play from author Owen McCafferty, that uncovers the vulnerability of relationships in a setting that leaves no space for privacy.

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The problems couples encounter in various stages of their life’s and aspects. Tom and Joan, have been married and together for many years, both in their mid-fifties are unsatisfied with their relationship and life. The couple is unhappy and have stopped caring, or at least they think they did. When the husband confesses to his wife that he had slept with someone else, the marriage seems to fall apart. She hires an escort, whether it’s to get back at him or just to feel something for once. Peter and Tara, a young couple, both in their twenties. A clever girl, who dropped out of university and now works at the checkout of a Tesco and her boyfriend, who’s an escort. The two couples cross lives without knowing how much they influence each other.

McCafferty explores the intricate elements on life and relationships, he uses detailed descriptions of the character’s feelings, expressing them with honesty and the harsh reality of obstacles in a couples communication.

Niamh Cusack delivers an outstanding performance, with a perfect range of emotion, strong and subtle whenever appropriate but always enough for the small audience to take notice. In general, the relationships between each of the four actors is very clear through the way they talk and look at each other. The characters are very relatable, therefore it’s easy to understand and agree with their decisions. Sean Campion conveys a man who has lost passion for life and feels adrift, it’s almost impossible not to feel sorry for him. From a child star, playing Neville Longbottom in the Harry Potter series, Matthew Lewis, shows an extraordinary transition to playing a confident escort. Ruta Gedmintas delivers a brilliant performance, with her facial expressions and body language alone.

Staging is simple and uncomplicated, surrounded by the audience. The words are left to be the main aspect of the show, making the play very pure and powerful. Scenes are interesting in the sense that none of the actors ever leave the room, when one couple is on the stage the other is either sitting on a bench next to it or in a corner of it, watching and helping during scene changes. The intimate setting works well with the play and enhances the feeling of peeking into the two couples’ private life.

A truthful, real and powerful show that leaves the audience pondering about the delicacy and persistency of relationships.