The Enchanted | Review

★★★☆☆ Pharmacy Theatre, The Bunker

An intense and brave tale of evil, the death penalty and the human inside a monster.

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The cast of The Enchanted | Dina T.

The play based on the novel by Rene Denfeld looks at the person behind a murderer and the death penalty. Waiting for your death on death row is lonely. Arden is mute and as he waits for his day, he listens and watches an investigator trying to save some of the prisoners from their deaths. While doing so, she uncovers the sad and disturbing past of some of the ‘monsters’ in the maximum security prison.

The choreography by movement director Emily Orme, conveys a sense of helplessness and sadness that carries throughout the whole play, with an eerie undertone through the music.

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The Cast of The Enchanted | Dina T.

The stage and background are completely white and chalk is used to draw on it. However sometimes it doesn’t have enough of an impact as the light blue colour of the chalk gets lost easily.

The use of puppetry shows a certain vulnerability each of the characters have, it’s done so delicate and creatively it adds to the aesthetics of the show. However, the puppets are always used during narration, therefore they have to compete for the audiences’ attention with the actor on stage and it looses its impact slightly. It would’ve worked better if they had been on stage by itself.

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Corey Montague-Sholay (Arden) | Dina T.

Corey Montague-Sholay who plays the narrator and Arden, a silent killer is captivating. He captured the essence of his character and the play so well, it’s beguiling and so compelling that it would probably work with just him telling the story of all the other characters.

The Enchanted runs at The Bunker until 17 June.

Alice’s Adventures Underground|review

★★★★★ Les Enfants Terribles, The Vaults

Alice’s Adventures Underground is an unmissable production that has created the most imaginative way of telling a story.

ALICE'S ADVENTURES UNDERGROUND. Richard Holt 'Hatter' and Philippa Hogg 'March Hare'. ©Rah Petherbridge Photography
Alice’s Adventures Underground | Alex Gilbert

Upon arrival, it feels like walking into a different, whimsical world. Before the performance has even started, you find yourself in awe by the creative design and themed (and strong!) cocktails. Once the journey begins, it’s up to you where it will lead. Alice’s Underground Adventure is unlike anything I’ve seen at The Vaults.

Instead of watching the story unfold right in front of you, you’re part of it and not only that, it’s like stepping into it and you decide where the adventure will take you. Depending on what route you choose, either shrink by taking a drink or grow by having a sweet, you steer your journey through Wonderland.

The Queen of Hearts has turned so evil, chopping off people’s heads for anything. An underground group grows and tries to ignite a revolution…Will you be part of the secret revolution? Or will you be on the Queen’s side?

Be wary that if you’ve come with someone you might not end up with them, as groups are split throughout the production. This is done by picking a playing card and depending on the suit you have chosen, you have to complete a different secret mission.

ALICE'S ADVENTURES UNDERGROUND. Philippa Hogg 'Alice'. ©Rah Petherbridge Photography
Alice in Alice’s Adventures Underground | Alex Gilbert

The design and details are the most interesting thing about this immersive production. You could go several times and still find new things and discover details about this incredible underground world that you haven’t seen before. Besides the creative set up, the actors (or interactors) are the other wonderful thing. Not only do they stay in character the whole time, they also interact incredibly well with the audience. They have an off-the-cuff humour and the talent to improvise, which you find endearing.

Another amazing thing is that the cast switches roles, so if you come twice you’re likely to see different people play different characters. Combined with the different story lines, it’s possible to go several times and still experience something completely new.

by Al Overdrive
Alice’s Adventures Underground | Alex Gilbert

The best part about this adventure is that you’ll actually feel like you’re part of it, you’re making a difference in the story. It’s almost heartbreaking leaving the characters and Wonderland behind. The intricate details of the production won’t leave your mind, even after leaving the venue.

Alice’s Adventures Underground runs at The Vaults until 23 September 2017

@AliceUnderLDN

Pluto | Review

★★★★☆ Moonchild Theatre Company| Baron’s Court Theatre

Moonchild Theatre Company stages an impressive first production of a new play that captures many important issues in today’s world, by personifying likeable planets, comets and moons.

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Liam Joseph (Pluto) and Charlotte Price ( Professor Furtham/ Charon) |Moonchild Theatre Company

The New Horizons probe lands on Pluto in 2006 and brings bad news for the planet, who is currently having a party which no one has turned up to, except for his best friend Charon. The probe that arrives bears news from NASA telling PLUTO that he’s no longer a planet. He’s now labelled a ‘Dwarf Planet’ which throws Pluto into total chaos, “I’ve been conned into hosting my own funeral”. He’s confused about his identity and has only Charon (and a stripper she hired), to cheer him up and help him to understand.

“Pluto: The subject of much confusion,” as his friend Charon puts it, is mirroring people in our society who have things decided for them, often by men in power who cannot even begin to understand their situation.

The production touches on a fair amount of social and political issues, maybe too many to completely be sure of its message. The staging is sparse but it works, due to the dark walls of the tiny Baron’s Court Theatre, giving you a feeling of deep space.

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Liam Joseph (Pluto) | Moonchild Theatre Company

Callum O’Brien takes Pluto and turns his story into a perfect metaphor for issues such as labelling others, accepting people for who they are and feeling lonely. His direction is clear, fresh and ideal for millennials who would love to see their first play but are daunted by big Shakespearian productions.

The stripper scene is hilariously awkward. The overall humour of the play manages to cover up many of the issues and problems in today’s society.  Liam Joseph’s Saturn impression is brilliant and draws the audience on his side. He brings Pluto to life and turns him into a character that you like instantly. He’s not just a planet but a man with a heart and soul.

Charon, played by Charlotte Price is extremely gripping and intriguing. You find yourself hanging to every word during her monologue about her friendship to Pluto. She simply leaves you wanting more.

Pluto might not be as smooth sailing as a West End production might be, but as a brand new play, it definitely is a strong first production for the Moonchild Theatre Company who’ve managed to capture the current issues perfectly.

Pluto runs at Baron’s Court Theatre until 23 April and will transfer to the Cockpit Theatre from 14 August until 17 August.

#iheartPLUTO @MoonchildPluto

Chinglish | Review

★★★★☆  Johanson Productions, Park Theatre

David Henry Hwang returns to the Park Theatre with his European premiere of Chinglish. It explores the contemporary issues of doing business between two different cultures, East and West.

Chinglish Production PhotosCredit: The Other Richard
Lobo Chan (Cai Guoliang), Candy Ma (Xi Yan), Windosn Liong (Bing) and Gyuri Sarossy (Daniel) | Richard Davenport for The Other Richard

Andrew Keates directs this laugh-out-loud comedy, that starts with Daniel doing a presentation on poorly translated Chinese signs. “To take notice of safe: The slippery are crafty” and “Fuck the certain price of goods” pull the audience in with laughter in the first few seconds of the play.
Daniel, an American, wants to start a business arrangement with China on the behalf of his company ‘Ohio Signage’. When he meets Peter, an English teacher, he employs him as his business consultant.

Peter has lived in China for over a decade and gives Daniel advise on how to close a deal with the Chinese. The one important thing he says, is taking the time and trouble to build a relationship and understand the customs of the Chinese people in order to be successful.

When Daniel meets Xi Yan, the Vice-Minister for Culture, secrets are uncovered and a forbidden relationship begins.

Chinglish Production PhotosCredit: The Other Richard
Duncan Harte (Peter Timms) | Richard Davenport for The Other Richard

Gyuri Sarossy and Candy Ma are an ideal leading duo who bounce off each other perfectly.

The theme of the play looks at the language barrier between different cultures, as well as how to make business deals. A plethora of funny incidents occur over the duration of the show, which makes it so relatable, we’ve probably all encountered the problem of trying to communicate with someone who doesn’t speak our language. It also goes deeper – as it seems that everyone has something to hide from each other, and it shows the nature of making business decisions.
The staging is incredibly clever, by using a closet-like backdrop with small doors that open in different sizes and ways -transforming the stage into something completely different for each scene.

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Gyuri Sarossy (Daniel) and Candy Ma (Xi Yan) |Richard Davenport for The Other Richard

Chinglish runs at the Park Theatre until 22 April.

@ChinglishUK, @ParkTheatre

A Clockwork Orange| Review

★★★★☆  Action to the Words,  Park Theatre

High energy paired with stunning choreography and Beethoven’s Symphonies. A Clockwork Orange is an intense theatre experience that shouldn’t be missed.

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Luke Baverstock (Georgie) Sebastion Charles (Dim) Jonno Davies (Alex) Tom Whitelock (Pete) |Matt Martin

Written by Anthony Burgess and based on his book from 1962, showing the worst side of humanity, which is scary as it’s still relevant today. The all-male cast hits the Park Theatre with force, style and raw sexuality.

The story follows Alex and his droogs, who commit horrific acts of violence in the underworld of Manchester. Their acts are fuelled by battling boredom. They are warned to stop but don’t listen and end up in prison, where Alex tries everything to be released. Later he becomes a Guinea pig, where scientists are trying to cure him. He’s stripped of his aggressive behaviour and changes from evil to good. Now, he’s merely a vague memory of his former self.

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Tom Whitelock (Pete) | Matt Martin

Jonno Davies as Alex is bold, dynamic and has the audience following his every move and word. He clearly transitions from an ultraviolet Alex to a mere shell of him. Tom Whitelock is a great addition, who plays a seemingly insane Pete, almost animal like. Sebastian Charles as Dim is scary and aggressive, adding another level of intensity to the play.

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Jonno Davies (Alex) | Matt Martin

The direction by Alexandra Spencer-Jones is incredible and turns this play into a masterpiece. She uses the stage surrounded by the audience to her advantage, using different entry points and not only focusing on aiming the action at one side of the stage.

The choreography is one of the highlights of the show, complementing the high energy that has the theatre buzzing and paired with the aesthetics. When two gangs clash, she turns it into a beautiful movement. The play is a piece of art and leaves you wanting more, feeling like the 90-minute play was not enough.

A Clockwork Orange runs at the Park Theatre until 18 March.

@Droogie_Tweets @ParkTheatre

 

Beau Brummell- An elegant madness | Review

★★★☆☆ European Arts Company, Jermyn Street Theatre

This dark comedy about the celebrity Beau Brummell is entertaining but too long.

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Seán Brosnan (Beau Brummell) and Richard Latham (Beau’s valet) | Savannah Photographic

Beau Brummell; the first person who was famous for being famous. Nowadays, there are many alike him, The Kardashian clan being one of them. In the 18th century he was the modern narcissist, watching himself in the mirror all day long and letting people stare at him while he was getting dressed.

After a public incident with his friend the Prince of Wales, he’s forced to live in exile in Calais. Now poor, due to his lifelong addiction to gambling and driven into madness by Syphilis, Beau lives in a small flat in a covent with his valet. When the Prince of Wales, now King, comes to visit, Brummell hopes to be reinstated and be able to go back to his old life.

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Richard Latham (Beau’s valet) and Seán Brosnan (Beau Brummell) | Savannah Photography

On the surface, this play is well done. The set design is beautiful and intriguing, the acting is superb and leaves no reason for criticism. It’s funny and the dialogue is written well and witty with a lot of opportunities to make the audience chuckle. The story and the length of the the show is what lets the production down. It’s not clear what we’re meant to take away from the story.

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Seán Brosnan (Beau Brummell) and Richard Latham (Beau’s valet) | Savannah Photography

The production would’ve worked better in a shorter more compact version, as a lot of the conversations didn’t lead anywhere or uncover something essential. After a while it just felt stale.

Overall, it had its highlights through jokes and funny anecdotes, or the way that putting on his clothes was almost a sacred act.

Beau Brummell- An Elegant Madness runs at the Jermyn Street Theatre until 11 March.

@EuropeanArtsCo. #BeauBrummell @jstheatre

This must be the place | Review

★★★★☆ Poleroid Theatre, The Vaults

Poleroid Theatre presents a captivating tale of living in the 21st century, connectivity and breaking free from old lives.

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(Left to right) Feliks Mathur (Tate), Hamish Rush (Matty) Molly Roberts (Lily) and James Cooney (Adam) | Mathew Foster

Many dream of living in London, but with sky high house prices and the pressures of life in the capitol, only few make it.

This Must Be The Place tells the story of Adam, a young Londoner who is sick of city life, everyday rush hour, unaffordable flats and bad financial situations. He needs a clean break. One day after work he throws his phone into the Thames and disconnects himself from everything and everyone. He needs to find home.

Somewhere else, two friends are ready for a new start. With hopes of a better future, they are ready to leave their problems behind and head off to London.

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James Cooney (Adam) | Mathew Foster

The play explores relationships in the 21st century. In a society where mobile phones hold more value to people than real life connections. A like on social media is more important than a meaningful conversation with a friend, and sharing anything with anyone in the world is more interesting than talking to your family.

We’re addicted to our phones and the abilities to do it all, whether it’s through connecting with people across the world, or to give you answers to every possible question you might need to know. This play shows us that we’ve disconnected ourselves from reality and the outside world while being so connected, we’re essentially on our own.

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Feliks Mathur (Tate) and Hamish Rush (Matty) | Mathew Foster

These two stories are are creatively intertwined. Directed by Justin Audibert and Josh Roche, they conquer the hearts of the audience with wit, honesty and words only. No props, costumes or setting is even needed. The words grab you and pull you into the lives of each character.

Poleroid Theatre explores the “Dark undercurrents of life in the 21st century” and gives young actors and writers a chance to develop and thrive. James Cooney (Adam), Feliks Mathur (Tate), Molly Roberts (Lily) and Hamish Rush (Matty) all achieve to captivate the audience.

This Must Be The Place runs at the Vaults during Vault Festival until 12 February.

 

Henry V | Review

★★★☆☆  Antic Disposition, Southwark Cathedral

A beautiful adaptation of Henry V, but it’s missing something to make it unforgettable.

Antic Disposition’s production of Shakespeare’s Henry V, embarks on its second UK tour of the most historic cathedrals.

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British soldiers | Scott Rylander

It’s France 1915, the first world war and two groups of wounded soldiers, French and British are brought to the same military hospital. While recovering, the soldiers and nurses stage the production of Henry V – 500 years after the Battle of Agincourt.

It’s not something for a Shakespeare newbie. Since it’s not easy to place the story or understand the context, if you’re not familiar with it or haven’t done some research beforehand you might find it slightly confusing. In this case, it’s almost essential to get a programme and give it a good read through before the start of the show.

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Photo courtesy: Scott Rylander

The production moves between 1415 and 1915, and adds original songs with live music inspired by the poetry of AE Housman.Whereas the transition between reality and play are smooth, you need to have some knowledge of Henry V to distinguish these at once.

The play being performed solely in cathedrals, gives it an opportunity that it wouldn’t have in a regular theatre and it’s obvious what was behind the thought process. It gives it the chance to use the acoustics to its advantage. The vast cathedral, with its high ceilings makes some scenes, songs and the sound of bombing more powerful, making the play more intense. However, the acoustics are also the downfall for the production. If the actor doesn’t directly face you, it is barley distinguishable what they are saying, therefore you’re losing out on the story.

Even though the cathedral makes the setting more unique and genuine, it has its downside as several scenes happen on the ground or sat down and even sitting in the second row, the view is obstructed resulting in missing out on several moments of the play.

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Floriane Andersen as Princess Katherine | Scott Rylander

The cast overall has uneven performances, some outstanding and touching, others rather forgettable. Floriane Andersen delivers a flawless performance, eloquently switching between English and French.

Anitc Dispostion’s Henry V tours across different cathedrals in the country until 22 February.

@Anticdispo #HenryV

Dirty Great Love Story | Review

★★★★☆  Arts Theatre, Dirty Great Love Story

Dirty Great Love Story is a quirky feel-good romantic comedy, perfect for fighting off those winter blues.

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Ayesha Antoine and Felix Scott | Richard Davenport

After a highly acclaimed UK tour, the Fringe First Award winning Dirty Great Love Story makes its West End debut.

Katie and Richard are two romantics that meet at a rather unromantic setting. Both are on a night out in a sweaty club and their drunken friends are trying to hook them up. The next morning they wake up hungover, barely remembering that they had slept together.

As soon as Katie gets the chance, she jumps out of bed and disappears. Richard is not her type, plus, she still needs to get over her Ex. However, as much as Katie would like to never see Richard again, fate has a different plan for them. Due to their friends, they keep bumping into each other, but does this mean they are meant to be?

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Felix Scott and Ayesha Antoine | Richard Davenport

Writers Richard Marsh and Katie Bonna create a wonderful love story that has the theatre shaking with laughter. Through its pop culture references and and modern feel, it’s relateable to any millennial everywhere. Some of us might see themselves in various characters, and recognise situations that mirror their own lives.

Pia Furtado directs Ayesha Antoine and Felix Scott who commit to their characters wonderfully and have the ability to change personas instantaneously, while they rhyme their way into the audiences’ heart.

Dirty Great Love runs at the Arts Theatre until 18 March 2017

@DirtyGreatLove #DirtyGreatLoveStory 

Muted | Review

★★★★★ Interval Productions, The Bunker Theatre

Sarah Henley’s heartbreakingly beautiful story of loss and love enchants the audience with emotional songs and astonishing voices.

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Muted | Savannah Photographic

Michael is the frontman of a band called Lost Boy. He and his friends are an inch away from becoming a success. Then his mother suddenly dies from a hit and run accident and he never speaks a word again. His friends desert him and he lives with his uncle. Years later, his ex-girlfriend Lauren and his friend Jake who is now Lauren’s boyfriend, want to make things good again. When the band gets another shot at stardom, Jake tries to get Michael back in the band, because the label wants him to be the frontman once again. When Lauren tries to bring Michael back to normal, old feelings are re-emerging and a dark truth uncovered.

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Teenage Michael ( Ed Campbell Bird) | Savannah Photographic

Jamie Jackson’s direction of the musical is fresh, artistic and contemporary, which works well with the venue, the story and the songs.

The teenage version of Michael, played by Ed Campbell Bird, appears as the inner voice of him, while he stays muted the teenage Michael sings and expresses his inner feelings. During flashbacks with the mother that explains their relationship, which was sometimes difficult, due to his mothers drinking and disappointment of his father leaving them. His uncle Will had to deal with the loss of the sister but couldn’t mourn her loss having cared for his nephew at a young age. Now he is torn between living his own life and staying with his nephew.

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Lauren ( Tori Allen-Martin) and Micheal (David Leopold) | Savannah Photographic

Michael played by David Leopold has the ability to show Michael’s pain and sorrow of losing his mother. His life being turned upside down, the confusion of not knowing who the driver was and his friends suddenly abandoning him weighs on him heavily. His facial expressions and body language convey his feeling’s perfectly, making you instantly connect with Michael. He is a lost boy, which coincides with the name of his former band.

Tori Allen-Martin is not only an incredible musician and writer, she plays her part as the ex-girlfriend that was driven away by her guilt and, feeling helpless but unearths old feelings for Michael. Her voice also touches everyone in the audience. It is soft, yet strong, beautiful and emotional.

Muted runs at the Bunker Theatre until 7 January 2017.