It seems fitting that I meet the founders of the new theatre company Paper Creatures at the National Theatre.
It’s only morning but the National Theatre is already buzzing with people, guided tours, tourists and people who are desperately trying to get tickets to Angeles in America. We find a quiet and cool space on a warm, sunny day and start talking about Flood, the debut production by Paper Creatures.
The themes were important, we wanted to look at grief within the millennial generation, humour and heart.
Flood is a new comedy drama by playwright Tom Hartwell, about Adam who is “forced to confront his future when those closest to him return after the death of his Mum. Upon their arrival, repressed truths and unsettling secrets are revealed. Flood is a complex and humane portrayal of a group of friends struggling to define themselves beyond the confines of their small town.”
Starting rehearsal on 17 July, the two talk about the first read through of the script.
The first read through was really special. It was so relatble, he [Tom Hartwell] managed to take an ancient idea of a village flooding and put it in such a modern light of 20 year olds, dealing with home and identity. We were fascinated with the idea, why is it that people want to leave their homes.
Jon and Nathan met when they were both working in an all-male Shakespeare troupe and travelled around the UK and Europe doing open air Shakespeare. “We became quite close on tour, got chatting and when we finished the tour we wanted to do something different after spending five months doing Shakespeare. We thought why don’t we put on a play?”
After seeing a lot of theatre once returned from their tour, they noticed that millennials need a “realistic and honest voice for our generation, the millennial generation, we sometimes felt we were painted a bit one dimensional.”
Also passionate about new plays, they decided to set up a theatre company.
The name paper creatures came from the paper representing the script, where it starts, the blank piece of paper. And then the creatures being the characters that come from that. We are the creatures that make the story and the theatre is the place where we perform, it’s the place where we can tell those stories.
Wanting to create a voice for not only this generation, Jon and Nathan also hope that in the future people will look back on these plays that are new writing now, but could be a potential classic in the future.
Talking about the importance of new writing, Paper Creatures explains why they’re happy to be part of London’s theatre community. “There is so much opportunity for fringe theatre, there are so many lovely pub theatres in London and around the UK. It’s thriving at the moment. It’s almost like a revolution, all these new playwrights emerging, coming out of every place you can imagine and then they get transferred to the West End.”
There is such a dynamic community of new writing on the fringe circuit in London that is dominated by the millennial generation in a very positive way and it’s so vibrant, so helpful and so supportive. It’s a really great community to be part of.
By setting up Paper Creatures, the actors want to create a “platform for young new writers, young creators from all different fields, lighting designers, sound designers, to come together and create stories which are simple, bold and compelling.”
Our long term goal is to create a really creative environment to tell these stories with our generation contributing to them, for our generation.