★★★★☆ Action to the Words, Park Theatre
High energy paired with stunning choreography and Beethoven’s Symphonies. A Clockwork Orange is an intense theatre experience that shouldn’t be missed.
Written by Anthony Burgess and based on his book from 1962, showing the worst side of humanity, which is scary as it’s still relevant today. The all-male cast hits the Park Theatre with force, style and raw sexuality.
The story follows Alex and his droogs, who commit horrific acts of violence in the underworld of Manchester. Their acts are fuelled by battling boredom. They are warned to stop but don’t listen and end up in prison, where Alex tries everything to be released. Later he becomes a Guinea pig, where scientists are trying to cure him. He’s stripped of his aggressive behaviour and changes from evil to good. Now, he’s merely a vague memory of his former self.
Jonno Davies as Alex is bold, dynamic and has the audience following his every move and word. He clearly transitions from an ultraviolet Alex to a mere shell of him. Tom Whitelock is a great addition, who plays a seemingly insane Pete, almost animal like. Sebastian Charles as Dim is scary and aggressive, adding another level of intensity to the play.
The direction by Alexandra Spencer-Jones is incredible and turns this play into a masterpiece. She uses the stage surrounded by the audience to her advantage, using different entry points and not only focusing on aiming the action at one side of the stage.
The choreography is one of the highlights of the show, complementing the high energy that has the theatre buzzing and paired with the aesthetics. When two gangs clash, she turns it into a beautiful movement. The play is a piece of art and leaves you wanting more, feeling like the 90-minute play was not enough.